Prices quoted in this report are in Canadian dollars and include an 18 percent buyers premium.
The oil on panel by Alexander Young Jackson, titled St. Lawrence South Shore Village (circa 1945), measuring 10 ½ inches by 13 ½ inches, was the auctions top lot. It sailed past its high estimate of $28,000 to bring $47,200. The painting exhibited wonderful color and detail and still had the gallery labels on the back for Klinkhoff in Montreal and Thielsen in London, Ontario.
The oil on board rendering by Franz Johnston, titled The Battlement, Lake of the Woods, measured 13 inches by 10 ½ inches and sold within estimate for $25,960. It was a vibrant and rare example, with strong brush strokes and content typical of The Group Impressionism. Johnston resigned from the Group of Seven in 1924 as his style evolved more toward realism.
The auctions categories included folk art, furniture, art, tools, Canadiana, architectural items, vintage toys, pottery and stoneware, and textiles. Also featured was Part 2 of the Marty Osler collections. Part 1, held in April 2021, was led by a selection of decoys, fishing reels and rods, many by Hardy Bros. of England. Part 2 focused primarily on Canadiana and decorative arts.
Folk art proved to be a huge attraction, said Ben Lennox of Miller & Miller Auctions, Ltd., who added 23 of the top 30 lots blew past their high estimates, supported by high water marks being established for Canadian and American folk artists such as Edmond Chatigny, Joe Norris, Joseph Sleep, Everett Lewis (the husband of Maud Lewis), Purvis Young and Howard Finster.
The anticipation and excitement leading up to the sale was evident by strong pre-bidding and electric chatter on social media, Mr. Lennox pointed out. That chatter continued post-sale as buyers eagerly expressed their joy and pride in being able to obtain items from the Osler collection that can now grace their own collections of merit. Plans are underway for Part 3.
Following are additional highlights from the auction. Internet bidding was facilitated by LiveAuctioneers and the Miller & Miller website (www.MillerandMillerAuctions.com). A total of 554 registered bidders placed 8,585 bids. Telephone and absentee bids were also accepted.
Sculptures by Edmond Chatigny (Canadian, 1895-1992) included a Farm Scene sculpture, made in Quebec circa 1970, showing a farmer in a plumed hat plowing with a pair of oxen, while multiple birds and flowers lined the field, mounted on a platform base, 19 ½ inches tall ($15,340); and a large Bird Sculpture, made in Quebec circa 1970, depicting a bird in brown paint with white and green splotches, mounted on a square stool base, 30 inches tall ($8,260).
A watercolor on paper of a Quebec Village by Marc-Aurèle Fortin (1888-1970), diminutive at just 10 inches by 12 inches (sight), painted circa 1925, showing a double-spired church with the Quebec hills in the background, finished at $9,440; while an oil on board painting of a Fishing Village by Joe Norris (Prospect Harbour, Nova Scotia, circa 1980), boasting strong colors typical of Norriss work and in the original Joe Norris frame with painted flowers, commanded $12,980.
Outsider Art was led by a large (48 inch by 24 inch) painting on plywood by Purvis Young (1943-2010), of a city scape often seen in Youngs works, which can be found in collections like the Smithsonians National Museum of African American History and Culture ($5,605); and a painting of white daisies on green stems in a brown pot by Jimmy Lee Sudduth (1910-2007), an artist who rarely used brushes, preferring his fingers instead, signed Jim Sudduth ($4,425).
To learn more about Miller & Miller Auctions, Ltd., please visit www.millerandmillerauctions.com. Updates are posted frequently.
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